Ned Rorem Celebration Concert
Apr
2
7:30 PM19:30

Ned Rorem Celebration Concert

Ned Rorem Celebration Concert

The Curtis Institute of Music honors the life, legacy, and genius of alumnus, longtime faculty member, and Pulitzer Prize-winning composer and prolific writer Ned Rorem (’44) with a concert at Field Concert Hall. Mr. Rorem received a GRAMMY Award and wrote three symphonies, four piano concerti, ten operas, choral works, ballets, song cycles, and numerous orchestral works in his lifetime. Revered faculty members, rising stars of the Curtis Opera Theatre, and some of the school’s gifted musicians pay tribute to one of the greatest American composers of the twentieth century and a cultural luminary who inspired generations of young artists and composers.

Sarah Fleiss, soprano
Katie Trigg, mezzo-soprano
Jarrett Ott (Opera ’14), baritone
Miloš Repický, piano

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A Sea Symphony with the Colorado Symphony Chorus
May
18
7:30 PM19:30

A Sea Symphony with the Colorado Symphony Chorus

Jarrett Ott, baritone soloist

Celebrate 40 years of the world-renowned Colorado Symphony Chorus with a renewal of Vaughan Williams' A Sea Symphony, utilizing text from Walt Whitman's Leaves of Grass, and employing a chorus throughout the entirety of the work in groundbreaking fashion. Over a hundred years earlier, Beethoven's symphonic debut started the genre established by Mozart and Haydn on a journey that would eventually evolve into Vaughan Williams' vivid, chorus-driven masterpiece.

Founded in 1984 by Duain Wolfe, the Colorado Symphony Chorus has flourished into an internationally respected ensemble, making it the preferred choice for the chorus of the Aspen Music Festival and for orchestras touring through the Bravo! Vail Music Festival. Celebrate their Ruby Anniversary with a choral spectacular alongside Principal Conductor Peter Oundjian and the Colorado Symphony. 

Featured Artists

Peter Oundjian, conductor
Colorado Symphony Chorus, Duain Wolfe, director
Karina Gauvin, soprano
Jarrett Ott, baritone

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A Sea Symphony with the Colorado Symphony Chorus
May
19
1:00 PM13:00

A Sea Symphony with the Colorado Symphony Chorus

Jarrett Ott, baritone soloist

Celebrate 40 years of the world-renowned Colorado Symphony Chorus with a renewal of Vaughan Williams' A Sea Symphony, utilizing text from Walt Whitman's Leaves of Grass, and employing a chorus throughout the entirety of the work in groundbreaking fashion. Over a hundred years earlier, Beethoven's symphonic debut started the genre established by Mozart and Haydn on a journey that would eventually evolve into Vaughan Williams' vivid, chorus-driven masterpiece.

Founded in 1984 by Duain Wolfe, the Colorado Symphony Chorus has flourished into an internationally respected ensemble, making it the preferred choice for the chorus of the Aspen Music Festival and for orchestras touring through the Bravo! Vail Music Festival. Celebrate their Ruby Anniversary with a choral spectacular alongside Principal Conductor Peter Oundjian and the Colorado Symphony. 

Featured Artists

Peter Oundjian, conductor
Colorado Symphony Chorus, Duain Wolfe, director
Karina Gauvin, soprano
Jarrett Ott, baritone

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SAMSON - Festival d'Aix-en-Provence
Jul
4
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

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SAMSON - Festival d'Aix-en-Provence
Jul
6
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

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SAMSON - Festival d'Aix-en-Provence
Jul
9
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

View Event →
SAMSON - Festival d'Aix-en-Provence
Jul
12
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

View Event →
SAMSON - Festival d'Aix-en-Provence
Jul
15
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

View Event →
SAMSON - Festival d'Aix-en-Provence
Jul
18
3:30 PM15:30

SAMSON - Festival d'Aix-en-Provence

SAMSON

JEAN-PHILIPPE RAMEAU (1683-1764)

WORLD PREMIERE FESTIVAL D’AIX-EN-PROVENCE
A COPRODUCTION WITH THÉÂTRE NATIONAL DE L’OPÉRA-COMIQUE

WITH THE SUPPORT OF

GRANDE MÉCÈNE D’EXCEPTION

AMMODO AND CERCLE DES MÉCÈNES ASSOCIÉS

THÉÂTRE DE L'ARCHEVÊCHÉ

NEW WORK BY CLAUS GUTH AND RAPHAËL PICHON FREELY BASED ON SAMSON, A LOST OPERA BY JEAN-PHILIPPE RAMEAU AND A CENSURED LIBRETTO BY FRANÇOIS-MARIE AROUET DIT VOLTAIRE (1734 AND 1736), INSPIRED BY THE BIBLE (THE BOOK OF JUDGES)

CONDUCTOR AND MUSICAL CONCEPT Raphaël Pichon*

STAGE DIRECTION, CONCEPT AND SCENARIO Claus Guth

SET DESIGN Étienne Pluss

COSTUME DESIGN Ursula Kudrna

LIGHTING DESIGN Bertrand Couderc

CHOREOGRAPHY Sommer Ulrickson

SOUND DESIGN Mathis Nitschke

VIDEO rocafilm

EDITORIAL ASSOCIATE Eddy Garaudel

DRAMATURGY Yvonne Gebauer

SAMSON Jarrett Ott

DALILA Jacquelyn Stucker

TIMNA Lea Desandre*

ACHISCH Nahuel di Pierro

ELON Laurence Kilsby

L'ANGE Julie Roset*

UN CONVIVE Antonin Rondepierre

LA MÈRE DE SAMSON Andréa Ferréol

CHOIR AND ORCHESTRA Pygmalion

*FORMER ARTISTS OF THE ACADÉMIE

ABOUT

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music. Samson is the chosen of God, but his extraordinary strength isolates him as much as it marks him out: a succession of failed love affairs turns him into a destructive force, making this biblical Hercules the first suicidal to be a mass murderer. Supporting Jarrett Ott, Jacquelyn Stucker and Lea Desandre in the principal roles, the Pygmalion chorus and orchestra become important actors in a fresco that is both sublime and astonishingly modern.

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
23
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
17
2:30 PM14:30

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
13
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
9
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
6
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Mar
3
2:30 PM14:30

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL
Feb
29
8:00 PM20:00

COLONEL ÁLVARO GÓMEZ / THE EXTERMINATING ANGEL

COMPOSER Thomas Adès

LIBRETTO Thomas Adès & Tim Cairns, based on the eponymous film by Luis Buñuel

CONDUCTOR Gustavo Dudamel

THE CAST

LUCIA DE NOBILE Jacquelyn Stucker

LETICIA MEYNAR Caroline Wettergreen

LEONORA PALMA Hilary Summers

SILVIA DE AVÍLA Claudia Boyle

BLANCA DELGADO Christine Rice

BEATRIZ Amina Edris

EDMUNDO DE NOBILE Nicky Spence

COMTE RAÚL YEBENES Frédéric Antoun

COLONEL ÁLVARO GÓMEZ Jarrett Ott

FRANCISCO DE AVÍLA Anthony Roth Costanzo

EDUARDO Filipe Manu

SEÑOR RUSSEL Philippe Sly

ALBERTO ROC Paul Gay

DOCTOR CARLOS CONDE Clive Bayley

JULIO – BUTLER Thomas Faulkner

MENI – MAID Ilanah Lobel-Torres

CREATIVE TEAM

DIRECTOR Calixto Bieito

SET DESIGN Anna Kirsch

COSTUME DESIGN Ingo Krügler

LIGHTING DESGIN Reinhard Traub

DRAMATURGY Bettina Auer

CHORUS MASTER Ching-Lien Wu

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Philadelphia Orchestra's Glorious Sound of Christmas
Dec
16
7:00 PM19:00

Philadelphia Orchestra's Glorious Sound of Christmas

Performance Details

Jarrett sings selections from Vaughan Williams’ Five Mystical Songs and O Holy Night

William Eddins Conductor
Charlotte Blake Alston Speaker
Jarrett Ott Baritone
Mendelssohn Chorus of Philadelphia
Dominick DiOrio Director

Mendelssohn “Hark! the Herald Angels Sing”
Traditional “Away in a Manger”
Traditional “God Rest Ye, Merry Gentlemen”
Vaughan Williams Selections from Five Mystical Songs
Tchaikovsky/freely arr. Ellington and Strayhorn Selections from The Nutcracker Suite
Various A Charleston Christmas 
Adam “O Holy Night”
Holst “In the Bleak Midwinter”
Tovey “The Rittenhouse Carol”
Anderson Sleigh Ride
Various Medley of Christmas Favorites
Wade “O Come, All Ye Faithful”

You can almost hear the stamping of the reindeer hooves on the roof in these concerts, beloved by fans since the iconic Glorious Sound of Christmas® recording with Eugene Ormandy and the Orchestra was released in 1962. One of Your Philadelphia Orchestra’s favorite guest conductors—and a favorite with orchestras around the world—William Eddins returns to lead this rousing celebration. Order early to reserve the best seats for a joyful holiday celebration with family and friends!

View Event →
Philadelphia Orchestra's Glorious Sound of Christmas
Dec
15
7:00 PM19:00

Philadelphia Orchestra's Glorious Sound of Christmas

Performance Details

Jarrett sings selections from Vaughan Williams’ Five Mystical Songs and O Holy Night

William Eddins Conductor
Charlotte Blake Alston Speaker
Jarrett Ott Baritone
Mendelssohn Chorus of Philadelphia
Dominick DiOrio Director

Mendelssohn “Hark! the Herald Angels Sing”
Traditional “Away in a Manger”
Traditional “God Rest Ye, Merry Gentlemen”
Vaughan Williams Selections from Five Mystical Songs
Tchaikovsky/freely arr. Ellington and Strayhorn Selections from The Nutcracker Suite
Various A Charleston Christmas 
Adam “O Holy Night”
Holst “In the Bleak Midwinter”
Tovey “The Rittenhouse Carol”
Anderson Sleigh Ride
Various Medley of Christmas Favorites
Wade “O Come, All Ye Faithful”

You can almost hear the stamping of the reindeer hooves on the roof in these concerts, beloved by fans since the iconic Glorious Sound of Christmas® recording with Eugene Ormandy and the Orchestra was released in 1962. One of Your Philadelphia Orchestra’s favorite guest conductors—and a favorite with orchestras around the world—William Eddins returns to lead this rousing celebration. Order early to reserve the best seats for a joyful holiday celebration with family and friends!

View Event →
Philadelphia Orchestra's Glorious Sound of Christmas
Dec
14
7:00 PM19:00

Philadelphia Orchestra's Glorious Sound of Christmas

Performance Details

Jarrett sings selections from Vaughan Williams’ Five Mystical Songs and O Holy Night

William Eddins Conductor
Charlotte Blake Alston Speaker
Jarrett Ott Baritone
Mendelssohn Chorus of Philadelphia
Dominick DiOrio Director

Mendelssohn “Hark! the Herald Angels Sing”
Traditional “Away in a Manger”
Traditional “God Rest Ye, Merry Gentlemen”
Vaughan Williams Selections from Five Mystical Songs
Tchaikovsky/freely arr. Ellington and Strayhorn Selections from The Nutcracker Suite
Various A Charleston Christmas 
Adam “O Holy Night”
Holst “In the Bleak Midwinter”
Tovey “The Rittenhouse Carol”
Anderson Sleigh Ride
Various Medley of Christmas Favorites
Wade “O Come, All Ye Faithful”

You can almost hear the stamping of the reindeer hooves on the roof in these concerts, beloved by fans since the iconic Glorious Sound of Christmas® recording with Eugene Ormandy and the Orchestra was released in 1962. One of Your Philadelphia Orchestra’s favorite guest conductors—and a favorite with orchestras around the world—William Eddins returns to lead this rousing celebration. Order early to reserve the best seats for a joyful holiday celebration with family and friends!

View Event →
Don Pedro de Alvarado / THE INDIAN QUEEN
Aug
2
7:00 PM19:00

Don Pedro de Alvarado / THE INDIAN QUEEN

COMPOSER Henry Purcell

Libretto after the play of the same name by John Dryden and Robert Howard
In a version by Peter Sellars (2013/2016)

CREATIVE

CONDUCTOR Teodor Currentzis

CAST

DOÑA LUISA  Jeanine De Bique Teculihuatzin

DON PEDRARIAS DÁVILA Julian Prégardien

DOÑA ISABEL Rachel Redmond

DON PEDRO DE ALVARADO Jarrett Ott

IXBALANQUÉ Andrey Nemzer

LEONOR Amira Casar

ENSEMBLE

Utopia Choir and Orchestra

Vitaly Polonsky, Evgeny Vorobyov Chorus Master

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Don Pedro de Alvarado / THE INDIAN QUEEN
Jul
31
7:00 PM19:00

Don Pedro de Alvarado / THE INDIAN QUEEN

COMPOSER Henry Purcell

Libretto after the play of the same name by John Dryden and Robert Howard
In a version by Peter Sellars (2013/2016)

CREATIVE TEAM

CONDUCTOR Teodor Currentzis

CAST

DOÑA LUISA  Jeanine De Bique Teculihuatzin

DON PEDRARIAS DÁVILA Julian Prégardien

DOÑA ISABEL Rachel Redmond

DON PEDRO DE ALVARADO Jarrett Ott

IXBALANQUÉ Andrey Nemzer

LEONOR Amira Casar

ENSEMBLE

Utopia Choir and Orchestra

Vitaly Polonsky, Evgeny Vorobyov Chorus Master

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The Prisoner / prisoner of the state
Jul
22
7:00 PM19:00

The Prisoner / prisoner of the state

prisoner of the state

COMPOSER & LIBRETTO David Lang

CONDUCTOR Ludovic Morlot

Barcelona Symphony Orchestra (OBC)

THE CAST

THE ASSISTANT Claron McFadden
THE JAILER Davone Tines
THE GOVERNOR Alan Oke
THE PRISONER Jarrett Ott
CHOIR OF PRISONERS AND GUARDS Orfeo Català

Men’s choir of the the Youth Choir of the Orfeó Català and of the Chamber Choir of the Palau de la Música Catalana

CREATIVE TEAM

STAGE DIRECTOR Elkhanah Pulitzer
ASSOCIATE DIRECTOR Diana Wyenn
ASSISTANT DIRECTOR, MOVEMENT, and CHOREOGRAPHY Miguel Alejandro Castillo
SET DESIGN Matt Saunders
PROJECTIONS Adam Larsen
LIGHT DESIGN, TECHNICAL DIRECTOR Thom Weaver
ASSOCIATE LIGHT DESIGN Yannick Godts
COSTUME Maline Caste
WARDROBE ASSISTANT Noelle Quanci

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Vaughan Williams - Symphony No. 1, "A Sea Symphony"
Jul
16
2:30 PM14:30

Vaughan Williams - Symphony No. 1, "A Sea Symphony"

CONCERT

Alberga: Arise, Athena!
J.S. Bach: Fantasia and Fugue in C Minor, arr. Edward Elgar
Ravel: Concerto in G Major for Piano and Orchestra
Vaughan Williams: Symphony No. 1, "A Sea Symphony"

CONDUCTOR Gemma New

SOPRANO Susanna Phillips
BARITONE Jarrett Ott

PIANO Angela Hewitt

With the OBF Chorus, University of Oregon Chamber Choir
OBF Modern Orchestra

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The Prisoner / prisoner of the state
Jun
4
4:00 PM16:00

The Prisoner / prisoner of the state

COMPOSER & LIBRETTO David Lang

CONDUCTOR Steven Sloane

CAST

THE ASSISTANT Claron McFadden
THE JAILER Davóne Tines
THE GOVERNOR Alan Oke
THE PRISONER Jarrett Ott
GUARDS Darko Neshovski, Tor Lind, Thomas Hildebrandt, Philip Christensson

The men from  the Malmö Opera Choir
Malmö Opera Orchestra

CREATIVE TEAM

DIRECTOR Elkhanah Pulitzer
ASSISTANT DIRECTOR Diana Wyenn
ASSISTANT DIRECTOR & CHOREOGRAPHER Miguel Alejandro Castillo
SET DESIGN Matt Saunders 
PROJECTIONISTS Adam Larsen LIGHTING
DESIGNER/TECHNICAL DIRECTOR Thom Weaver
ASSISTANT LIGHTING DESIGNER/TECHNICAL DIRECTOR Yannick Godts
COSTUME DESIGNER Maline Casta
ASSISTANT COSTUME DESIGNER Noelle Quanci

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The Prisoner / prisoner of the state
Jun
3
6:00 PM18:00

The Prisoner / prisoner of the state

COMPOSER & LIBRETTO David Lang

CONDUCTOR Steven Sloane

CAST

THE ASSISTANT Claron McFadden
THE JAILER Davóne Tines
THE GOVERNOR Alan Oke
THE PRISONER Jarrett Ott
GUARDS Darko Neshovski, Tor Lind, Thomas Hildebrandt, Philip Christensson

The men from  the Malmö Opera Choir
Malmö Opera Orchestra

CREATIVE TEAM

DIRECTOR Elkhanah Pulitzer
ASSISTANT DIRECTOR Diana Wyenn
ASSISTANT DIRECTOR & CHOREOGRAPHER Miguel Alejandro Castillo
SET DESIGN Matt Saunders 
PROJECTIONISTS Adam Larsen LIGHTING
DESIGNER/TECHNICAL DIRECTOR Thom Weaver
ASSISTANT LIGHTING DESIGNER/TECHNICAL DIRECTOR Yannick Godts
COSTUME DESIGNER Maline Casta
ASSISTANT COSTUME DESIGNER Noelle Quanci

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LESCAUT / Manon
May
2
7:00 PM19:00

LESCAUT / Manon

Manon
Jules Massenet

Opéra comique in five acts
Libretto by Henri Meilhac and Philippe Gille
World premiere: 19/1/1884 at the Opéra-Comique (Salle Favart) in Paris
Barcelona premiere: 29/12/1894 at the Gran Teatre del Liceu

Jarrett sings Lescaut

Artistic profile

Stage director Olivier Py

Choreography for this version Daniel Izzo

Set design Pierre André Weitz

Costume design Pierre André Weitz

Lighting Bertrand Killy

Production Grand Théâtre de Genève and Opéra-Comique (Paris)

Cast

MANON LESCAUT: Nadine Sierra 20th,22th,24th,27th,30th April and 3th May

Amina Edris 21th,23th,26th,29th April and 2th May

POUSSETTE: Inés Ballesteros

JAVOTTE: Anna Tobella

ROSETTE: Anaïs MasllorensC

HEVALIER DES GRIEUX: Javier Camarena 20th,24th,27th,30th April and 3th May

Pene Pati 21th,22th,23th,26th,29th April and 2th May

LESCAUT: Alexandre Duhamel 20th,22th,24th,27th,30th April and 3th May

Jarrett Ott 21th,23th,26th,29th April and 2th May

COMTE DES GRIEUX: Laurent Naouri 20th,22th,24th,27th,30th April and 3th May

Jean-Vincent Blot 21th,23th,26th,29th April and 2th May

GUILLOT DE MORFONTAINE: Albert Casals

MONSIEUR DE BRÉTIGNY: Tomeu Bibiloni

INNKEEPER: Pau Armengol

Chorus of the Gran Teatre del Liceu (Pablo Assante, director)

Symphony Orchestra of the Gran Teatre del Liceu

Conductor: Marc Minkowski

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LESCAUT / Manon
Apr
29
7:00 PM19:00

LESCAUT / Manon

Manon
Jules Massenet

Opéra comique in five acts
Libretto by Henri Meilhac and Philippe Gille
World premiere: 19/1/1884 at the Opéra-Comique (Salle Favart) in Paris
Barcelona premiere: 29/12/1894 at the Gran Teatre del Liceu

Jarrett sings Lescaut

Artistic profile

Stage director Olivier Py

Choreography for this version Daniel Izzo

Set design Pierre André Weitz

Costume design Pierre André Weitz

Lighting Bertrand Killy

Production Grand Théâtre de Genève and Opéra-Comique (Paris)

Cast

MANON LESCAUT: Nadine Sierra 20th,22th,24th,27th,30th April and 3th May

Amina Edris 21th,23th,26th,29th April and 2th May

POUSSETTE: Inés Ballesteros

JAVOTTE: Anna Tobella

ROSETTE: Anaïs MasllorensC

HEVALIER DES GRIEUX: Javier Camarena 20th,24th,27th,30th April and 3th May

Pene Pati 21th,22th,23th,26th,29th April and 2th May

LESCAUT: Alexandre Duhamel 20th,22th,24th,27th,30th April and 3th May

Jarrett Ott 21th,23th,26th,29th April and 2th May

COMTE DES GRIEUX: Laurent Naouri 20th,22th,24th,27th,30th April and 3th May

Jean-Vincent Blot 21th,23th,26th,29th April and 2th May

GUILLOT DE MORFONTAINE: Albert Casals

MONSIEUR DE BRÉTIGNY: Tomeu Bibiloni

INNKEEPER: Pau Armengol

Chorus of the Gran Teatre del Liceu (Pablo Assante, director)

Symphony Orchestra of the Gran Teatre del Liceu

Conductor: Marc Minkowski

View Event →
Lescaut / Manon
Apr
26
6:00 PM18:00

Lescaut / Manon

Manon
Jules Massenet

Opéra comique in five acts
Libretto by Henri Meilhac and Philippe Gille
World premiere: 19/1/1884 at the Opéra-Comique (Salle Favart) in Paris
Barcelona premiere: 29/12/1894 at the Gran Teatre del Liceu

Jarrett sings Lescaut

Artistic profile

Stage director Olivier Py

Choreography for this version Daniel Izzo

Set design Pierre André Weitz

Costume design Pierre André Weitz

Lighting Bertrand Killy

Production Grand Théâtre de Genève and Opéra-Comique (Paris)

Cast

MANON LESCAUT: Nadine Sierra 20th,22th,24th,27th,30th April and 3th May

Amina Edris 21th,23th,26th,29th April and 2th May

POUSSETTE: Inés Ballesteros

JAVOTTE: Anna Tobella

ROSETTE: Anaïs MasllorensC

HEVALIER DES GRIEUX: Javier Camarena 20th,24th,27th,30th April and 3th May

Pene Pati 21th,22th,23th,26th,29th April and 2th May

LESCAUT: Alexandre Duhamel 20th,22th,24th,27th,30th April and 3th May

Jarrett Ott 21th,23th,26th,29th April and 2th May

COMTE DES GRIEUX: Laurent Naouri 20th,22th,24th,27th,30th April and 3th May

Jean-Vincent Blot 21th,23th,26th,29th April and 2th May

GUILLOT DE MORFONTAINE: Albert Casals

MONSIEUR DE BRÉTIGNY: Tomeu Bibiloni

INNKEEPER: Pau Armengol

Chorus of the Gran Teatre del Liceu (Pablo Assante, director)

Symphony Orchestra of the Gran Teatre del Liceu

Conductor: Marc Minkowski

View Event →
Lescaut / Manon
Apr
23
6:00 PM18:00

Lescaut / Manon

Manon
Jules Massenet

Opéra comique in five acts
Libretto by Henri Meilhac and Philippe Gille
World premiere: 19/1/1884 at the Opéra-Comique (Salle Favart) in Paris
Barcelona premiere: 29/12/1894 at the Gran Teatre del Liceu

Jarrett sings Lescaut

Artistic profile

Stage director Olivier Py

Choreography for this version Daniel Izzo

Set design Pierre André Weitz

Costume design Pierre André Weitz

Lighting Bertrand Killy

Production Grand Théâtre de Genève and Opéra-Comique (Paris)

Cast

MANON LESCAUT: Nadine Sierra 20th,22th,24th,27th,30th April and 3th May

Amina Edris 21th,23th,26th,29th April and 2th May

POUSSETTE: Inés Ballesteros

JAVOTTE: Anna Tobella

ROSETTE: Anaïs MasllorensC

HEVALIER DES GRIEUX: Javier Camarena 20th,24th,27th,30th April and 3th May

Pene Pati 21th,22th,23th,26th,29th April and 2th May

LESCAUT: Alexandre Duhamel 20th,22th,24th,27th,30th April and 3th May

Jarrett Ott 21th,23th,26th,29th April and 2th May

COMTE DES GRIEUX: Laurent Naouri 20th,22th,24th,27th,30th April and 3th May

Jean-Vincent Blot 21th,23th,26th,29th April and 2th May

GUILLOT DE MORFONTAINE: Albert Casals

MONSIEUR DE BRÉTIGNY: Tomeu Bibiloni

INNKEEPER: Pau Armengol

Chorus of the Gran Teatre del Liceu (Pablo Assante, director)

Symphony Orchestra of the Gran Teatre del Liceu

Conductor: Marc Minkowski

View Event →
Lescaut / Manon
Apr
21
7:00 PM19:00

Lescaut / Manon

Manon
Jules Massenet

Opéra comique in five acts
Libretto by Henri Meilhac and Philippe Gille
World premiere: 19/1/1884 at the Opéra-Comique (Salle Favart) in Paris
Barcelona premiere: 29/12/1894 at the Gran Teatre del Liceu

Jarrett sings Lescaut

Artistic profile

Stage director Olivier Py

Choreography for this version Daniel Izzo

Set design Pierre André Weitz

Costume design Pierre André Weitz

Lighting Bertrand Killy

Production Grand Théâtre de Genève and Opéra-Comique (Paris)

Cast

MANON LESCAUT: Nadine Sierra 20th,22th,24th,27th,30th April and 3th May

Amina Edris 21th,23th,26th,29th April and 2th May

POUSSETTE: Inés Ballesteros

JAVOTTE: Anna Tobella

ROSETTE: Anaïs MasllorensC

HEVALIER DES GRIEUX: Javier Camarena 20th,24th,27th,30th April and 3th May

Pene Pati 21th,22th,23th,26th,29th April and 2th May

LESCAUT: Alexandre Duhamel 20th,22th,24th,27th,30th April and 3th May

Jarrett Ott 21th,23th,26th,29th April and 2th May

COMTE DES GRIEUX: Laurent Naouri 20th,22th,24th,27th,30th April and 3th May

Jean-Vincent Blot 21th,23th,26th,29th April and 2th May

GUILLOT DE MORFONTAINE: Albert Casals

MONSIEUR DE BRÉTIGNY: Tomeu Bibiloni

INNKEEPER: Pau Armengol

Chorus of the Gran Teatre del Liceu (Pablo Assante, director)

Symphony Orchestra of the Gran Teatre del Liceu

Conductor: Marc Minkowski

View Event →
Dandini / La Cenerentola
Feb
8
7:30 PM19:30

Dandini / La Cenerentola

LA CENERENTOLA

Cinderella

by Gioachino Rossini

Jarrett sings Dandini

Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles

A fairy tale without wizardry: No magical tree on the mother's grave, no pumpkin carriage and no fitting of the glass slipper. The essence of the Cinderella fairy tale, however, has been preserved in Rossini's sparkling comedy which first premiered in 1817: Namely the firm conviction that beautiful dresses only enhance the already existing inner beauty of a person whilst nasty step sisters will always remain the way they are. And this is why Angelina's goodness of heart can finally triumph over the malice of her own family, over rational calculation and reason of state.

Cast

Conductor Vlad Iftinca
Director Andrea Moses
Stage Design Susanne Gschwender
Costumes Werner Pick
Dramaturgy Thomas Wieck , Moritz Lobeck
Chorus Bernhard Moncado
Lighting Reinhard Traub

Angelina Diana Haller
Clorinda Catriona Smith
Tisbe Maria Theresa Ullrich
Don Magnifico Carlo Lepore
Don Ramiro Charles Sy
Dandini Jarrett Ott
Alidoro Paweł Konik
Stuttgart State Opera Choir , Stuttgart State Orchestra

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Dandini / La Cenerentola
Jan
20
7:30 PM19:30

Dandini / La Cenerentola

LA CENERENTOLA

Cinderella

by Gioachino Rossini

Jarrett sings Dandini

Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles

A fairy tale without wizardry: No magical tree on the mother's grave, no pumpkin carriage and no fitting of the glass slipper. The essence of the Cinderella fairy tale, however, has been preserved in Rossini's sparkling comedy which first premiered in 1817: Namely the firm conviction that beautiful dresses only enhance the already existing inner beauty of a person whilst nasty step sisters will always remain the way they are. And this is why Angelina's goodness of heart can finally triumph over the malice of her own family, over rational calculation and reason of state.

Cast

Conductor Vlad Iftinca
Director Andrea Moses
Stage Design Susanne Gschwender
Costumes Werner Pick
Dramaturgy Thomas Wieck , Moritz Lobeck
Chorus Bernhard Moncado
Lighting Reinhard Traub

Angelina Diana Haller
Clorinda Catriona Smith
Tisbe Maria Theresa Ullrich
Don Magnifico Carlo Lepore
Don Ramiro Charles Sy
Dandini Jarrett Ott
Alidoro Paweł Konik
Stuttgart State Opera Choir , Stuttgart State Orchestra

View Event →
Dandini / La Cenerentola
Jan
16
7:30 PM19:30

Dandini / La Cenerentola

LA CENERENTOLA

Cinderella

by Gioachino Rossini

Jarrett sings Dandini

Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles

A fairy tale without wizardry: No magical tree on the mother's grave, no pumpkin carriage and no fitting of the glass slipper. The essence of the Cinderella fairy tale, however, has been preserved in Rossini's sparkling comedy which first premiered in 1817: Namely the firm conviction that beautiful dresses only enhance the already existing inner beauty of a person whilst nasty step sisters will always remain the way they are. And this is why Angelina's goodness of heart can finally triumph over the malice of her own family, over rational calculation and reason of state.

Cast

Conductor Vlad Iftinca
Director Andrea Moses
Stage Design Susanne Gschwender
Costumes Werner Pick
Dramaturgy Thomas Wieck , Moritz Lobeck
Chorus Bernhard Moncado
Lighting Reinhard Traub

Angelina Diana Haller
Clorinda Catriona Smith
Tisbe Maria Theresa Ullrich
Don Magnifico Carlo Lepore
Don Ramiro Charles Sy
Dandini Jarrett Ott
Alidoro Paweł Konik
Stuttgart State Opera Choir , Stuttgart State Orchestra

View Event →
Dandini / La Cenerentola
Jan
7
7:30 PM19:30

Dandini / La Cenerentola

LA CENERENTOLA

Cinderella

by Gioachino Rossini

Jarrett sings Dandini

Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles

A fairy tale without wizardry: No magical tree on the mother's grave, no pumpkin carriage and no fitting of the glass slipper. The essence of the Cinderella fairy tale, however, has been preserved in Rossini's sparkling comedy which first premiered in 1817: Namely the firm conviction that beautiful dresses only enhance the already existing inner beauty of a person whilst nasty step sisters will always remain the way they are. And this is why Angelina's goodness of heart can finally triumph over the malice of her own family, over rational calculation and reason of state.

Cast

Conductor Vlad Iftinca
Director Andrea Moses
Stage Design Susanne Gschwender
Costumes Werner Pick
Dramaturgy Thomas Wieck , Moritz Lobeck
Chorus Bernhard Moncado
Lighting Reinhard Traub

Angelina Diana Haller
Clorinda Catriona Smith
Tisbe Maria Theresa Ullrich
Don Magnifico Carlo Lepore
Don Ramiro Charles Sy
Dandini Jarrett Ott
Alidoro Paweł Konik
Stuttgart State Opera Choir , Stuttgart State Orchestra

View Event →
Dandini / La Cenerentola
Jan
2
7:30 PM19:30

Dandini / La Cenerentola

LA CENERENTOLA

Cinderella

by Gioachino Rossini

Jarrett sings Dandini

Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles

A fairy tale without wizardry: No magical tree on the mother's grave, no pumpkin carriage and no fitting of the glass slipper. The essence of the Cinderella fairy tale, however, has been preserved in Rossini's sparkling comedy which first premiered in 1817: Namely the firm conviction that beautiful dresses only enhance the already existing inner beauty of a person whilst nasty step sisters will always remain the way they are. And this is why Angelina's goodness of heart can finally triumph over the malice of her own family, over rational calculation and reason of state.

Cast

Conductor Vlad Iftinca
Director Andrea Moses
Stage Design Susanne Gschwender
Costumes Werner Pick
Dramaturgy Thomas Wieck , Moritz Lobeck
Chorus Bernhard Moncado
Lighting Reinhard Traub

Angelina Diana Haller
Clorinda Catriona Smith
Tisbe Maria Theresa Ullrich
Don Magnifico Carlo Lepore
Don Ramiro Charles Sy
Dandini Jarrett Ott
Alidoro Paweł Konik
Stuttgart State Opera Choir , Stuttgart State Orchestra

View Event →
Dandini / La Cenerentola
Dec
22
7:30 PM19:30

Dandini / La Cenerentola

LA CENERENTOLA

Cinderella

by Gioachino Rossini

Jarrett sings Dandini

Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles

A fairy tale without wizardry: No magical tree on the mother's grave, no pumpkin carriage and no fitting of the glass slipper. The essence of the Cinderella fairy tale, however, has been preserved in Rossini's sparkling comedy which first premiered in 1817: Namely the firm conviction that beautiful dresses only enhance the already existing inner beauty of a person whilst nasty step sisters will always remain the way they are. And this is why Angelina's goodness of heart can finally triumph over the malice of her own family, over rational calculation and reason of state.

Cast

Conductor Vlad Iftinca
Director Andrea Moses
Stage Design Susanne Gschwender
Costumes Werner Pick
Dramaturgy Thomas Wieck , Moritz Lobeck
Chorus Bernhard Moncado
Lighting Reinhard Traub

Angelina Diana Haller
Clorinda Catriona Smith
Tisbe Maria Theresa Ullrich
Don Magnifico Carlo Lepore
Don Ramiro Charles Sy
Dandini Jarrett Ott
Alidoro Paweł Konik
Stuttgart State Opera Choir , Stuttgart State Orchestra

View Event →
Dandini / La Cenerentola
Dec
19
7:30 PM19:30

Dandini / La Cenerentola

LA CENERENTOLA

Cinderella

by Gioachino Rossini

Jarrett sings Dandini

Comic opera in two acts
Libretto by Jacopo Ferretti
in Italian with German subtitles

A fairy tale without wizardry: No magical tree on the mother's grave, no pumpkin carriage and no fitting of the glass slipper. The essence of the Cinderella fairy tale, however, has been preserved in Rossini's sparkling comedy which first premiered in 1817: Namely the firm conviction that beautiful dresses only enhance the already existing inner beauty of a person whilst nasty step sisters will always remain the way they are. And this is why Angelina's goodness of heart can finally triumph over the malice of her own family, over rational calculation and reason of state.

Cast

Conductor Vlad Iftinca
Director Andrea Moses
Stage Design Susanne Gschwender
Costumes Werner Pick
Dramaturgy Thomas Wieck , Moritz Lobeck
Chorus Bernhard Moncado
Lighting Reinhard Traub

Angelina Diana Haller
Clorinda Catriona Smith
Tisbe Maria Theresa Ullrich
Don Magnifico Carlo Lepore
Don Ramiro Charles Sy
Dandini Jarrett Ott
Alidoro Paweł Konik
Stuttgart State Opera Choir , Stuttgart State Orchestra

View Event →
Count Almaviva / Le Nozze di Figaro
Nov
13
2:00 PM14:00

Count Almaviva / Le Nozze di Figaro

THE MARRIAGE OF FIGARO

BUY TICKETS

Jarrett sings Il Conte (The Count)

Music by Wolfgang Amadeus Mozart, with a libretto by Lorenzo Da Ponte • November 5, 8, 11, & 13, 2022

Surprises. Disguises. Compromises.

 

Mozart’s The Marriage of Figaro is one of the most popular comic operas of all time. Filled with amusing cases of mistaken identity and romantic subterfuge, plus music by a Mozart at the height of his powers, The Marriage of Figaro has stood the test of time for centuries.
 
The Marriage of Figaro is a sequel to The Barber of Seville. The story opens several years later, in Count Almaviva’s palace near Seville, Spain. Rosina is now the Countess, but her husband has lost much of his interest in her and is a would-be philanderer. 

Figaro is in love with the Countess’s servant Susanna, who he plans to wed that very day. However, their employer Count Almaviva has his eye on Susanna. In fact, the Count intends to invoke the hated feudal practice of droit de seigneur—the infamous right of the lord to sleep with a commoner’s bride on her wedding night. 

Figaro, Susanna, and the Countess are understandably outraged at this possibility, and are determined not only to prevent it, but to teach the Count a lesson.

Music Director Antony Walker conducts.


Susanna: Natasha Te Rupe Wilson**

Figaro: Michael Sumuel

Countess Almaviva: Nicole Cabell

Count Almaviva: Jarrett Ott+ 

Dr. Bartolo: Ricardo Lugo+

Don Basilio/Curzio: Daniel O’Hearn*

Cherubino: Jazmine Olwalia*

Antonio: Evan Lazdowski*

Marcellina: Helene Schneiderman+

Barbarina: Julia Swan Laird*

Conductor: Antony Walker 
Stage Director: Stephanie Havey**
Set & Costume Designer: Leslie Travers
Lighting Designer: Andy Ostrowski
Wig & Make-up Designer: James Geier
Stage Manager: Cindy Knight
Assistant Stage Manager: Monica Soderman+
Assistant Conductor: Glenn Lewis
Chorus Master: Mark Trawka
Associate Coach/Pianist: James Lesniak
Assistant Stage Director: Haley Stamats*

+     Pittsburgh Opera debut
*     Pittsburgh Opera Resident Artist
**   Pittsburgh Opera Resident Artist alumni

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Count Almaviva / Le Nozze di Figaro
Nov
11
7:30 PM19:30

Count Almaviva / Le Nozze di Figaro

THE MARRIAGE OF FIGARO

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Jarrett sings Il Conte (The Count)

Music by Wolfgang Amadeus Mozart, with a libretto by Lorenzo Da Ponte • November 5, 8, 11, & 13, 2022

Surprises. Disguises. Compromises.

 

Mozart’s The Marriage of Figaro is one of the most popular comic operas of all time. Filled with amusing cases of mistaken identity and romantic subterfuge, plus music by a Mozart at the height of his powers, The Marriage of Figaro has stood the test of time for centuries.
 
The Marriage of Figaro is a sequel to The Barber of Seville. The story opens several years later, in Count Almaviva’s palace near Seville, Spain. Rosina is now the Countess, but her husband has lost much of his interest in her and is a would-be philanderer. 

Figaro is in love with the Countess’s servant Susanna, who he plans to wed that very day. However, their employer Count Almaviva has his eye on Susanna. In fact, the Count intends to invoke the hated feudal practice of droit de seigneur—the infamous right of the lord to sleep with a commoner’s bride on her wedding night. 

Figaro, Susanna, and the Countess are understandably outraged at this possibility, and are determined not only to prevent it, but to teach the Count a lesson.

Music Director Antony Walker conducts.


Susanna: Natasha Te Rupe Wilson**

Figaro: Michael Sumuel

Countess Almaviva: Nicole Cabell

Count Almaviva: Jarrett Ott+ 

Dr. Bartolo: Ricardo Lugo+

Don Basilio/Curzio: Daniel O’Hearn*

Cherubino: Jazmine Olwalia*

Antonio: Evan Lazdowski*

Marcellina: Helene Schneiderman+

Barbarina: Julia Swan Laird*

Conductor: Antony Walker 
Stage Director: Stephanie Havey**
Set & Costume Designer: Leslie Travers
Lighting Designer: Andy Ostrowski
Wig & Make-up Designer: James Geier
Stage Manager: Cindy Knight
Assistant Stage Manager: Monica Soderman+
Assistant Conductor: Glenn Lewis
Chorus Master: Mark Trawka
Associate Coach/Pianist: James Lesniak
Assistant Stage Director: Haley Stamats*

+     Pittsburgh Opera debut
*     Pittsburgh Opera Resident Artist
**   Pittsburgh Opera Resident Artist alumni

View Event →