Jarrett sings the role of Masetto.
“He betrayed me, he abandoned me — why do I still love him?”
Funny, terrifying, romantic, tragic — Mozart’s setting of the Don Juan story is an opera with everything, including some of the greatest music ever composed for the lyric stage. Is Don Giovanni a rogue or a sociopath? Are his women victims, or willing accomplices? In this new production, dynamic baritone Daniel Okulitch (The Last Savage, 2011), sings the title role. Soprano Leah Crocetto, impressive in Rossini’s Maometto II (2012), sings the Don’s nemesis, Donna Anna. Complex and tormented, the vengeful Donna Elvira is sung by Isabel Leonard (Cold Mountain, 2015). Edgaras Montvidas makes his Santa Fe debut as the loyal and steadfast Don Ottavio. Zerlina — perhaps not quite the bumpkin she seems to be — is sung by Rhian Lois in her American debut. As Leporello, the frustrated servant, we hear bass Kostas Smoriginas (Carmen, 2014). Guiding the action is director Ron Daniels, former Associate Director of the American Repertory Theater in Cambridge, MA, who makes his debut with this production. John Nelson (The Marriage of Figaro, 2013) conducts.